Unsolicited submission

Unsolicited submission in film refers to a script, treatment, or other creative material that is sent to a producer, studio, or industry professional without a prior invitation or request for such material. Typically, these submissions are made by individuals or writers who are seeking to get their work noticed or considered for production or further development. In the film industry, unsolicited submissions are often discouraged or even rejected for a few reasons: 1: Legal and Copyright Concerns: Studios and production companies may be wary of legal issues arising from potential claims of idea theft or copyright infringement. If they receive an unsolicited submission and later develop a similar project, the submitter might claim that their idea was stolen. 2: Overwhelming Volume: The volume of unsolicited submissions can be very high, making it difficult for industry professionals to review every piece of material they receive. 3: Formal Channels: Many studios and producers prefer submissions that come through established channels, such as film agents, film brokers, or through industry connections. This helps ensure that the material has been vetted and is more likely to meet industry standards. For those looking to submit their work, it’s often more effective to follow industry norms and seek representation from agents or film brokers who can help navigate the submission process through the proper channels.

Film Companies Rules?

Film companies generally have specific rules and guidelines for submitting movie concepts, which can vary from company to company. However, common practices and rules include: Representation: Many film companies prefer to receive submissions through established industry professionals, such as agents, managers, or entertainment lawyers. They often require that the submitter is represented by someone with a professional connection to the industry. Submission Guidelines: Companies usually have specific submission guidelines outlined on their websites or provided by their submission departments. These guidelines may include: Format: Whether they accept digital or physical submissions, and any specific formatting requirements for scripts or treatment. Content: Whether they accept full scripts, treatments, outlines, or just a pitch.
Information: Required information might include a logline, synopsis, character breakdowns, and other relevant details. Submission Periods: Some companies have specific times of the year when they accept submissions, or they might have contests or initiatives that open certain submission windows. Query Letters or Pitches: Before submitting a full script or treatment, companies may ask for a query letter or a pitch that summarizes the concept. This helps them gauge initial interest without reviewing a full manuscript. Confidentiality Agreements: To protect intellectual property, some companies require submitters to sign non-disclosure agreements (NDAs) or submission agreements that outline how the submitted material will be handled. No Unsolicited Submissions: As mentioned earlier, many companies do not accept unsolicited submissions directly and instead prefer material to be submitted through an agent or other industry professional. Response Time: Film companies often receive a high volume of submissions, so response times can be lengthy. Some companies may not respond to unsolicited submissions, while others may provide feedback if they are interested. Respect Copyright: Submitters should ensure that their work is original and not infringing on others' copyrights. Companies are cautious about accepting material that might lead to legal complications.

Is there any cost to pitch film or TV concept?

Yes, there's a one-time fee to pitch your film or TV concept, with the cost depending on the number of submissions. This kind of setup is common in certain pitch contests, submission platforms, or marketplaces where the fee structure is tiered based on how many companies, producers, or studios you pitch to.

Pitching Cost

Standard 10 Submissions - $1,399
Standard 20 Submissions - $1,899
VIP 30 Submissions - $2,399
VIP 40 Submissions - $2,899
VIP++ 50 Submissions - $3,399

Note: If your chosen filmmakers decline to accept your film concept, your film broker will continue to pitch other filmmakers until you receive an offer; however, if you do not receive an offer within 6 months, the purchase credits payment will be returned in full, with no costs.

Starting the pitching process for your film or TV concept can be exciting but also challenging. Here’s a step-by-step guide to help you get started:

1. Develop Your Concept Fully: Refine Your Idea: Ensure your concept is fully developed. This includes having a clear premise, well-defined characters, and a compelling story arc.
Create a Logline: Write a one-sentence summary of your concept that captures the essence of the story. This is your elevator pitch. Write a Synopsis: Develop a one-page summary that gives more detail than the logline but is still concise and engaging.
2. Prepare Your Pitch Materials: Pitch Deck or Query Letter: Create a visual document that showcases your concept. Include information about the plot, characters, tone, and visual style. Use imagery and design to convey the mood of your project.
Pilot Script (for TV) or Treatment (for Film): If you're pitching a TV series, having a pilot script is essential. For films, a treatment (a detailed summary of the story) or a full screenplay is usually needed.
3. Research Potential Buyers:
Identify Target Companies: Research production companies, studios, or networks that produce content similar to your concept. Tailor your pitch to their specific needs and preferences. Agents/Managers: If you don’t have direct access to buyers, consider seeking representation. Agents or managers can help get your project in front of the right people.
4. Protect Your Idea: Copyright: While you can't copyright an idea, you can copyright your script or other written materials. This offers some protection for your work.
5. Network and Build Relationships: Attend Industry Events: Film festivals, pitch fests, and networking events can be great opportunities to meet industry professionals. Online Pitching Platforms: Use platforms like Coverfly, Stage 32, or ISA to submit your concept directly to producers or participate in virtual pitch sessions.
6. Rehearse Your Pitch: Prepare a Verbal Pitch: Practice delivering your pitch verbally. It should be engaging, concise, and convey the passion you have for your project.
Anticipate Questions: Be ready to answer questions about your concept, including the target audience, budget, and potential for expansion (if it's a TV series).
7. Submit and Follow Up: Submit to Platforms or Competitions: If you’re using a submission platform or entering pitch competitions, ensure you meet all deadlines and requirements.
8. Stay Persistent: Embrace Rejection: Rejection is part of the process. Use any feedback you receive to refine your pitch and improve your chances with the next opportunity.
Keep Pitching: The more you pitch, the better your chances of finding the right partner for your project. Keep refining your materials and expanding your network. By following these steps, you’ll be well-prepared to present your film or TV concept to the right people in the industry.